“Nobody Leaves Alive” by André Ristum is shot in beautiful but also distancing black and white. Looking at the Venice line-up, this seems to be a trend this year among the maestros of cinema. The film is inspired by true events that took place in the last century in the “Colonia” hospital in Brazil. Whoever didn’t fit the standards of society, or their family’s perception of it, was locked away, tortured, and killed. There were altogether more than 60,000 victims. Hope dies last, and some of the inmates don’t give up the fight. We’re reminded of film classics such as “One Flew Over the Cookoo’s Nest” or “Alcatraz”.

An Ivy League professor returns home, where his pot-growing twin brother has concocted a plan to take down a local drug lord.

Hacking at Leaves documents artist and hazmat-suit aficionado Johannes Grenzfurthner as he attempts to come to terms with the United States' colonial past, Navajo tribal history, and the hacker movement. The story hones in on a small tinker space in Durango, Colorado, that made significant contributions to worldwide COVID relief efforts. But things go awry when Uncle Sam interferes with the film's production.

On the day in 1965 that the Pope visits New York and masses of people line the streets in adulation, Artie, a zookeeper living in Sunnyside, Queens, thinks it's time for his life to be blessed, too. He desperately wants to escape his lower middle-class existence and become a popular singer and songwriter, but his life is complicated by an ambitious mistress, a crazy wife and a bomb-making son.

Contact—so tactile, so evocative of the touch of one person on another, physically and emotionally. Trace—a way to get back to an earlier point and a reckoning with the remains of that initial encounter. Filmmaker Lynne Sachs has saved every business card anyone has ever given her. After 40 years of collecting, she recognizes their mnemonic powers. With 600 cards in her grasp, Sachs contemplates the impact of these haptic exchanges. In both real and imagined ways, her essay teases apart their vivid resonances, entwining emotional memory with geopolitical history through visual abstraction, music, and a poet’s sense of introspection.

Patrick feels absolutely lonely when he decides to search for his supposable genitor after the suicide of his mother. He doesn’t have a plan, a goal or hopes. He just wants to meet the phantom that he thinks is the reason for his mother’s death.

Maggie and Negan travel to post-apocalyptic Manhattan - long ago cut off from the mainland. The crumbling city is filled with the dead and denizens who have made it a world full of anarchy, danger, beauty, and terror.

The legend of Yamashita's Gold lures a treasure hunter and his group deep into the Indonesian jungle. Once they are trapped in an abandoned World War II Japanese bunker, they face the terrifying reality that the only way out is to go further in.

The return of a vengeful ex-girlfriend sets into motion a series of gruesome events for a hapless Irish bachelor in director Robert Quinn's grim black comedy. Tommy (Andrew Scott) had thought he had seen the last of Jean (Katy Davis) after their recent breakup, but when she returns to stake her claim on Tommy's apartment, the confrontation that ensues makes their previous quarrels look petty by comparison. After leaving the apartment in the head of the fight to cool his head and gather his thoughts, he returns only to find that Jean has died and enlists the aid of his friend Noel (Darren Healy) in ditching the body and ensuring that no one ever finds out what happened.

Criminology student Chloe fakes her own death to break into a morgue, in order to retrieve a piece of evidence that ties her younger brother to a crime gone wrong. Once inside, she discovers that a sadistic coroner is using the corpses for his sick and twisted business, and when he realises that Chloe still has a pulse, a terrifying game of cat and mouse ensues.